The four volume double-elephant-folio measured 40" by 27". Double elephant was, until 1772, the largest size of drawing paper made in England. To make it easier to attract and keep subscribers, the hand-coloured mixed-technique prints were issued in monthly batches of five between 1827 and 1838. And in order to avoid having to donate copies to public libraries, the text was issued separately between 1831 and 1839. Thus the choice of binding was left to the subscribers. This one, #11, was not only bound but given its own beautifully designed mahogany cabinet as shown.
The first few prints were produced by Lizars of Edinburgh and the rest by the Robert Havells in London, and all are superb. The colouring is glorious throughout, especially the deep, rich sheen of the black plumage. This copy remained in the subscriber's family until 1951, when it was acquired for £7,000 on behalf of the 2nd Lord Hesketh.
**
When Charles Darwin returned from the Galapagos in 1837, he sent his birds to Gould for preservation and identification. Darwin then presented his specimens to the Geological Society of London. Darwin and Gould continued to meet and Gould’s identifications were so significant that they played a role in Darwin's theory of evolution by natural selection. As I noted in an earlier post, Darwin's own book from the trip, published as his Journal and Remarks 1839, described his scientific observations.
Gould's work on the birds was published between 1838 and 1842 as Part 3 of Zoology of the Voyage of HMS Beagle, edited by Charles Darwin. The birds were retained in the natural history department of The British Museum, now the Natural History Museum.
In 1838 John Gould and his wife Elizabeth sailed to Australia with the express purpose of studying birds from the antipodes. The couple, together with the collector John Gilbert, sailed to Tasmania to meet the vice-regal family, Governor Sir John Franklin and his wife. In February 1839 Gould sailed to Sydney, leaving his pregnant wife with the Franklins. In April Gould returned to Tasmania for the birth of his son.
In May he sailed to Adelaide to meet the famous explorer Charles Sturt, who was about to lead an expedition to the Murray River. Gould collected specimens across South Australia, returning again to Hobart in July. In just two years Gould had travelled widely across the south eastern states, collecting specimens of Australian birds and other fauna. They returned home to England in May 1840.
After the trip, Gould took a few years to complete his masterpiece called The Birds of Australia, written between 1840-48. It included a total of 600 plates in seven volumes, including 328 species that had not appeared in the literature before. Elizabeth, who had illustrated several of his earlier works, made hundreds of drawings of the 681 specimens for publication in The Birds of Australia.
Next Gould created a three volume work called The Mammals of Australia (1849–1861). Then he gathered 320 species of humming birds, which he exhibited at the Great Exhibition in Crystal Palace in 1851.
In May 1857 he travelled to North America with his son. He published A Monograph of Humming Birds with 360 plates (1849–61). Then Gould published a revised and updated version of the text of The Birds of Australia in the two-volume Handbook to the Birds of Australia (1865). He must have been very busy, despite or perhaps because of the tragic loss of his wife.
Australian postage stamp 1976, with portrait of Gould
I recommend The Business of Nature: John Gould and Australia, written by Roslyn Russell and published by the National Library of Australia in 2011. The publishers said that with all the acumen of a shrewd Victorian entrepreneur, Gould established a thriving business that took him into the world of the British aristocracy and the scientific elite. He also warned of a problem that might result from colonists introducing exotic animals into Australia i.e that the native species could be decimated. Clever man!
Duckbilled Platypus, in The mammals of Australia
