While still only in his 20s, Chiparus started having his name noticed. Undoubtedly the viewers would have been attracted to the exquisite flesh tones, alongside the muted but rich metallics. I would love to have seen these early work in bronze and ivory, the sculptures that Chiparus exhibited at the Paris Salon of 1914, but my books don't have any on display.
The first works of Chiparus that I have seen with my own eyes were made in the 1920s. Like in all Art Deco art forms, the influences came from a number of sources, including Serge Diaghilev's Ballets Russes which opened in Paris just before WW1 started. A second influence arrived in France after Pharaoh Tutankhamen's tomb was explored in 1922 by the British Egyptologist Howard Carter - the art of ancient Egypt. Chiparus was never in Egypt and wasn’t bothered by historical accuracy, so he felt free to imagine what Queen Cleopatra and her Egyptian dancers might have looked like.
Chiparus, Friends Always, 1925
Canterbury Antiques noted that another great influence was the French theatre, opera and films (eg Thais, from the opera) where he saw women with long, slender, stylised shapes. His women were idealised of course, but idealised according to a 1920s model: slim, very athletic, dressed in oriental costumes, involved in running, dancing or dog handling. Did Chiparus use the photos of dancers, taken from fashion magazines of his time? Chiparus watchers seemed to think so. Apparently the faces on some sculptures closely resembled known Russian personalities eg Nijinsky and Ring Dancer c1928 may have been modelled on the Folies Bergere dancer Zoula de Boncza.
In short, Chiparus’ women were no shrinking violets with books in their hands; rather his sculptures were definitely bright, energetic and decorative. Whether you have ever heard of Chiparus before, or not, his works combined the elegance and luxury that still sum up the spirit of the Art Deco for us.
Preiss, Flame Dancer, c1925
This technique was apparently popular with many Art Deco sculptors with studios in Paris and Berlin in the 1920s, focusing on the same stylish young women with elongated limbs. Of the other artists using this technique, the only name that was familiar to me was the German sculptor Ferdinand Preiss (1882-1943) whose dates coincide closely with Chiparus’ dates.
Chiparus' work was fired by the Edmond Etling and Cie Foundry in Paris, under the directorship of Julien Dreyfus, and by the Les Neveux de J. Lehmann foundry. But both these foundaries were Jewish businesses that came to grief once the Nazis took over. Chiparus was not himself Jewish, but I haven’t seen any more of his works after that period. He died soon after the war in 1947 and was buried in Bagneux cemetery near Paris.
The most comprehensive collection of exquisite Chiparus sculpture is shown in Blog of an Art Admirer and History Lover and in JessicaNessica's Gallery.
In case readers are interested in today's values, a 1999 Antique Road Show appraisal of a large Chiparus sculpture called Starfish was given as USA $100,000 to $150,000. People were stunned and amazed! But then, at the Sotheby's Chiparus auction of April 2010, the highest priced object went for USA $936,000. The version of Les Girls sold at the 2010 auction was the only sculpture by Chiparus to feature five figures on a single base.
Chiparus experts offer a warning - 95% of so-called Chiparus works on sale these days are fakes.
